February 27, 2022 admin No Comment

The New York Times-

Across four seasons, the bodies mounted as their characters’ mutual obsession deepened. But like all relationships, this one, too, had to come to an end.

February 18, 2022 admin No Comment

Jodie Comer_Sandra Oh-FTR

One of TV’s hottest shows began in a tiny, sparsely decorated office in Burbank, Calif. That’s where Killing Eve co-stars-to-be Sandra Oh and Jodie Comer met for the first time.

“I remember it exactly!” Oh says of the their initial pairing in 2017. “The room was completely empty and the size of a small child’s bedroom. [Comer] came in with a wheeled suitcase looking a little lost. I said, ‘Oh, you must be Jodie!’”

Oh had already signed on to the series, and now Comer, a young Brit who had just arrived in L.A. from Barcelona, was gearing up to try out. The two huddled together in front of a nearby laptop, video-conferenced with the London-based producers and read a few key scenes together.

Comer got the job two weeks later. “Sandra was so warm and generous,” she recalls. “I came away feeling like I [had done] this incredible acting workshop. Like, what we had together was so great.” Or as Oh adds, “There was chemistry.”



That connection between the two stars helped make Killing Eve a compulsively watchable, Emmy-winning international smash. A cat-and-mouse tour de force, the series chronicles a British intelligence officer, Eve Polastri (Oh), and her pursuit of a psychopathic Russian assassin who goes by the name Villanelle (Comer). They ultimately develop a dangerous mutual obsession, and by the end of season three they vow to go their separate ways.

“It’s really a portrait of two women trying to be whole,” Oh says. “And along the way they discover that trying to be whole has something to do with each other.”

For Killing Eve’s fourth and final season (premiering Feb. 27 on BBC America and AMC+ and the next night on AMC), the characters take charge of their lives as they plot to defeat a shady organization (“The Twelve”) spreading chaos. “Eve has actively changed,” Oh says. “She’s ready and willing to go outside the system she’s depended on to defeat the Twelve.”

As for her nemesis, Comer says that Villanelle “has been told she’s a monster, and she’s desperate to prove people wrong. She goes to church, and she’s determined to be good.” But, she adds, “You probably know how that will end.”

Related: Killing Eve Season 4 Finally Has a Trailer! Plus, Everything We Know About the Final Season

An Electric Experience

Oh and Comer with Killing Eve’s Fiona Shaw (MI6 operative Carolyn Martens) and Kim Bodnia (Villanelle’s handler Konstantin Vasiliev) Claire Rothstein/BBCA

Oh and Comer with Killing Eve’s Fiona Shaw (MI6 operative Carolyn Martens) and Kim Bodnia (Villanelle’s handler Konstantin Vasiliev) (Claire Rothstein/BBCA)

Nearly five years after their initial meeting, the two are back on video screens for Zoom interviews with Parade. Oh, 50, is enjoying a sunny winter afternoon in Los Angeles; Comer, 28, checks in from her home in London where, she groans, “it gets pitch-black at, like, 4:45 p.m.” The two haven’t seen each other since the show’s final episode wrapped in November. “It was always enjoyable for us,” Comer says. “And for the characters, being together created an electricity.”

Comer felt the surge of current as soon as she read that very first episode. At the time, she was just 23 years old and had already appeared on several British TV series. “I couldn’t put the script down,” she says. “It made me laugh and really surprised me. It was weird in a wonderful way, and there was something fresh that people hadn’t seen before. I loved that Villanelle was so unapologetic about who she was.”

A TV mainstay since 1996, Oh adds that when the show premiered in the spring of 2018 at the height of the #TimesUp movement, “there was an opening in the industry for stories about women,” she says. “It was a great time for us.” Indeed, the series featured a top-down female perspective, as different females were running the show behind the scenes—including Phoebe Waller-Bridge, the creator and star of another award-winning hit series, Fleabag, and Emerald Fennell, who would go on to write and direct the Oscar-winning movie Promising Young Woman.

Eve took off in a hurry, with critics and fans flocking to catch its dynamite spin on a traditionally alpha-male genre. Ratings grew with every episode, which no television series had achieved in more than a decade. Comer won an Emmy for Outstanding Lead Actress in a Drama Series in 2019; Oh was Emmy-nominated and in 2019 hosted Saturday Night Live—only the third Asian woman to do so in its storied history—and made history as the first Asian person to host the Golden Globes (with Andy Samberg). Oh won a Best Actress Golden Globe for Killing Eve that same year (as well as a SAG Award for Female Actor in a Drama Series).

For Killing Eve’s final episodes, they filmed in London, Berlin and Spain. “We were very aware we were shooting the final season and approached it with a lot of care and openheartedness,” Oh says. “And I have to say, part of the process was me trying to let it go.”

Comer points to a moment when she saw Oh as Eve for one of the final times. “I became so overcome. Like, I can’t believe all the incredible people we’ve met and all the experiences we’ve gone on together over these five years. It was really moving.”

Similar to their characters, Oh and Comer both blossomed into their careers as outsiders. Oh is the middle child of a biochemist mom and businessman dad who emigrated from South Korea to the United States to Ottawa, Canada, in the 1960s. Academia, not acting, runs in her family. “Asking why I was picked to do this is a very spiritual question,” says Oh. “From the very beginning, I was very lucky to be born knowing what I wanted to do and have spent my life honing my craft.”

She attended the National Theatre School in Canada, then got her first break locally in 1993 when she was cast in the Canadian TV movie The Diary of Evelyn Lau (playing a former teen prostitute). Two years later, just before her 24th birthday, she moved to Los Angeles to appear in an independent film. The actress says that her good fortune soon struck again when she landed a part in Arliss, an HBO comedy series about a sports agent. It aired for seven seasons through 2002. “I want to say that I had a typical L.A. experience except that it wasn’t, because it wasn’t that difficult for me,” she says.

Acting gigs might have come easy, but life in the spotlight turned out to be considerably tougher. First Oh had a standout turn as a sommelier in the 2004 Oscar-winning wine-country comedy Sideways (directed by her then-husband, Alexander Payne). Less than six months later, she made her debut on a sudsy medical drama called Grey’s Anatomy. Among an ensemble of wide-eyed doctors, her character of surgical intern Cristina Yang, who works her way up to chief medical officer and director of cardiothoracic surgery, was the confident and no-nonsense voice of reason. The performance led to five Emmy nominations and, at the show’s height, more than 20 million people watched her every Thursday night.

It was a rush unlike anything she’d felt before. “It’s very challenging to describe to people the immense change that happens when one becomes famous,” the naturally private Oh says. “You have to say goodbye to something that you used to know, and it’s very emotional.” Plus, the definition of success takes on new meaning. “It’s one thing to be a successful actor, and it’s another thing to be on a hit TV show. I didn’t want to be a part of that. The loss of anonymity as a person and as an actor has consequences. For me, it became isolating.” She left Grey’s Anatomy in 2014 and “it’s an unfortunate no” when asked about a potential return. That even goes for a one-off cameo in the very last episode.

As Oh was making her TV debut in the ’90s, Comer had just been born. Like her co-star, the Liverpool, England, native was destined to perform. “I was so in tune with my emotions at a very young age,” she says. “I was always doing impressions at home and was a very confident and dramatic child.”

She went to a theater school down the road from her house that offered instruction in singing, dancing and acting. One day, her drama teacher encouraged to try out for the Liverpool Theatre Festival. “She found a monologue for me, and I stood on the stage and did it,” she says. That same teacher also tipped her off that a local playwright was searching for a girl to play the lead in a BBC radio play. “She drove me to the audition, and I got it!” Comer says. She was 12.

The actress jokes that her parents, Donna and Jimmy, wanted to pop champagne every time she snared a role early on in her career (including a popular daytime drama in the U.K. called The Royal Today). These days, though, “they’re like, ‘Oh, that’s great, babe.’ They’re used to it!”

Her past year in Hollywood has been especially amazing: She starred opposite Ryan Reynolds in the summer blockbuster Free Guy (for which she used an American accent to play a video game coder), and she was the female lead in the prestigious Ridley Scott–directed sword-fight drama The Last Duel with Matt DamonBen Affleck and Adam Driver. “Doing Free Guy put me in a position where I could step on to the set of The Last Duel and feel like I was meant to be there,” she says. “My insecurity of doing film acting had fizzled out by that point.”

But she insists, she still doesn’t feel as if she’s made it to the big time. “I don’t think the feeling of ‘This will be my last job’ ever goes away,” she says. “There’s a constant fear, which I don’t think is a bad thing because it means you’re stepping out of your comfort zone in a new way. You never want to feel too comfortable.”

From Killing to Chilling

So what now? Oh has been trying animated voice work and reports there’s no word yet on a second season of The Chair, the Netflix dramedy in which she plays the beleaguered head of the English department of a fictional Northeastern university. Comer is readying to do the one-woman play Prima Facie, about a criminal barrister, in London’s West End. Both actresses, however, insist that their long-term goal is to go from Killing to chilling.

“This is something I’ve asked Sandra about, to be honest,” says Comer, who dates American lacrosse player James Burke. “Like, I just wanted to know how she navigates her personal life and is present for things when you’re being called away for work. How do you balance that?” Oh says when she turned 50 last July, she took a long look at her aspirations: “When you’re a young actress, your big goal is to have three auditions a week. But then there comes a time in your life when you just want to slow down and see your friends. My priorities have shifted.”

And some of that down time includes reflecting on the legacy of their pioneering show. “It’s the kind of show with a certain quirk that you could never put in a box,” Comer says. “That’s why fans are so invested and passionate and have their own theories about how it will end. I hope they’re satisfied.”

Related: Learn All About Sandra Oh’s Fantastic Role in the Academic Comedy The Chair

Oh and Comer’s Favorite Things


Oh: Casablanca

Comer: Billy Elliot

TV Show to Binge

Oh: “The Wire. It’s so magnificent and I feel smarter watching it.”

Comer: “In My Skin, which is a phenomenal Welsh BBC drama.”

Book on the Nightstand

Oh: “I’m looking at an old copy of Harper’s. I’m a magazine person.”

Comer: “The Secret Barrister: Stories of the Law and How It’s Broken. It’s prep for my play.”

Song to Belt Out in the Car

Oh: “Chandelier” by Sia

Comer: “That Don’t Impress Me Much” by Shania Twain

Food Always in Your Pantry

Oh: “Rice.”

Comer: “Eggs. We don’t put eggs in the fridge in England. That’s an American thing.”

Vacation Spot

Oh: Barcelona

Comer: Venice

Go-To Meal

Oh: “Pesto pasta made from scratch. I get the basil leaves and the seared scallops and asparagus.”

Comer: “I make a really good chicken curry.”

Hometown Memory

Oh: “The snow. There’s no shortage of it [in Canada].”

Comer: “The people in Liverpool have a very wicked sense of humor. And wherever you go, there will always be someone who wishes you to have a good day.”

February 16, 2022 admin No Comment

I’ve updated the gallery with Screencaptures of Jodie Comer in Free Guy in which she plays the two roles of Millie and Molotov Girl! Enjoy viewing the screencaps in our gallery!

February 8, 2022 admin No Comment

Jodie and Sandra attended a photocall for the upcoming final (sobs) season of Killing Eve, KILLING it 😉 as always! High quality images have been added to the gallery, enjoy!

February 6, 2022 admin No Comment

The Final Obsession is here. Killing Eve Season 4 premieres 2/27 on BBCA and AMC+.


February 1, 2022 admin No Comment

Who is your icon from Hollywood history?

Jodie Comer
The Last Duel

“I had just started secondary school and I got paid £200. I felt like the richest person in the world”

Tell us about your first ever audition.

“I had just started secondary school and my drama teacher drove me. It was for a radio play called Tin Man. I got it and I got paid £200. I felt like the richest person in the world.”

What advice would you give to your younger self?

“Your grandparents are the coolest people you’re ever going to meet. Spend as much time with them as you possibly can.”

January 14, 2022 admin No Comment

The Killing Eve star discusses the series’ final season, and working with Matt Damon and Adam Driver in The Last Duel.

The name Jodie Comer has been synonymous with Villanelle, the alluringly chic assassin who stars opposite Sandra Oh in the hit BBC America series Killing Eve, for the past three years. She strikes a much more serious tone in her performance opposite Matt Damon, Ben Affleck, and Adam Driver in The Last Duel, Ridley Scott’s historical epic about a knight (Damon) who challenges a squire (Driver) to a duel to the death after his wife (Comer) accuses the squire of raping her. For W’s Best Performances issue, Comer reflects on starring with the longtime A-list pals Damon and Affleck, and reveals how she really feels about Villanelle’s beloved costumes.

Tell me how The Last Duel came to you.

Via an email through my agent, as [roles] usually do. It said that Ridley [Scott] wanted to meet me, so I met him at his offices in London. It was just a general chat, really; he was asking me a lot of questions about my life. And then he goes, “So, what did you think of the script?” I hadn’t actually been sent the script, but luckily I had read some of the book beforehand as homework. There was a slight miscommunication—I didn’t know any of the materials. He was like, “Right. I want you to go away, read it, and give me your honest opinion.” The next day, as soon as it got hand-delivered to the door and I read it, I was like, “Yes. Yes, yes, yes.”

Was he familiar with you from Killing Eve?

Yeah, apparently he’s a big Killing Eve supporter…which is great for me! [Laughs] I was very happy to hear that.

Is playing Villanelle liberating?

Yes. I mean, so liberating—and also exhausting. I didn’t realize quite how much, but we obviously had a bit of a break before we went back to shooting season 4. We had a yearlong hiatus, and the first week back doing the final season, I was like, “Whoa, okay, I’ve got to get back into this.” But I think it was good to have a little bit of space and be myself, solidly, for a good half of a year.

And to not have to wear little onesies, as you do in season 2.

Really tight, age-12 boys pajamas. [Laughs] No—that was a relief.

Villanelle’s costumes are kind of genius.

They’re such a huge, fun part of doing that show. Comfort is key with her, which I always appreciated. When I first read that she was a Russian assassin living in France, I thought, Oh no, are they going to have her scaling walls in seven-inch heels? They were like, “No, because that doesn’t make any sense.” So, it was great to have flat shoes.

But then you went straight into The Last Duel, which is set in France in the 1300s. Did you have to wear a corset?

Yes, but I don’t know if that was just a bit of cheating, to help a girl out, if you know what I mean. But no, the costumes were incredible. Ridley really liked these wooden clogs that were two sizes too big and made out of pure wood,because of the way they sounded on the cobbles. So I was shuffling around most of the time, trying to keep my shoes on.

You have a very extreme scene in The Last Duel. Was that difficult to shoot?

There are larger, more dramatic scenes within The Last Duel, especially in regard to the assault itself, and also the questioning within the court. As an actor, when you come to those kinds of scenes—the scenes you think of for months and months on end—you hope that you give them some justice. But it was an incredible atmosphere on set to work with Ridley. He works with four or five cameras rolling the entire time. So it’s not a very quick process, because he doesn’t miss a beat. He always allows you the time, but it just forces everyone to be really on the ball and very, very present.

He goes fast.

He does. We shot [Comer’s character] Marguerite’s perspective first, before we ever delved into another perspective. Which was great, because then I felt secure in knowing that I’d captured her story, and then I could play around.

Is there a film that makes you cry?

Billy Elliot definitely makes me cry. And very recently, I watched CODA, which I think is just so, so breathtaking. I watched it about two weeks ago and was like, Wow, it’s been a while since a movie has really moved me in that way.

Are you an ugly crier?

Of course I am. I only want to hang out with ugly criers. I don’t want to know you if you’re a pretty crier. Where’s the fun in that? I love a good cry.

Do you get starstruck?

I do get starstruck. Most recently, I met Stormzy at a concert. He came up to me out of nowhere and gave me a huge hug and was just like, “I think you’re brilliant.” And I was like, “What do you mean? When do you have time to watch the television?” That was really lovely, and I was very, very much lost for words.

You weren’t starstruck when you met Ben Affleck?

Well, yeah. I mean, all of those guys. Adam [Driver], Matt [Damon], Ben…it’s so surreal when you’ve spent a lot of your life watching people through films and television, and then you end up being in a room, sat on a table with them, and they’re asking you, “Hey, what do you think?” or saying, “We want your input.” And you’re like, “Oh wow, how did I get here?”

October 10, 2021 admin No Comment

Jodie attended The Last Duel premiere in New York, images have been added to the gallery!


August 18, 2021 admin No Comment


August 9, 2021 admin No Comment

Jodie attended the Free Guy UK Premiere, I’ve added images to the gallery! Enjoy