You should host the next reunion! So, Jodie, you’re known as the queen of accents. It’s amazing to me how you can flip from film to film, and especially with this one, you have a very specific accent. What was your process of learning this one in particular?
Jodie: Yeah, she had quite a specific voice, but I was very lucky that I had 30 minutes of audio of her. So it was just about spending time with the audio and working with a brilliant dialect coach who helps you and makes you look way better than what you are, you know? So, yeah, it was just about prepping that really to then get to set and hopefully be able to think about it a little less.
Austin: She’s identical to the recording. That’s what so amazing. I couldn’t tell the difference. It was stunning.
And you just replay that and then say it back?
Jodie: Oh, yeah, you just live with it. It’s like when you play your favourite song so much that you’re like, “Oh, God, I think I might have killed this song.”
Austin: Did you have certain times of the day that you would listen to it the most? Did you listen to it before bed or first thing in the morning?
Jodie: I think morning was a big one. I find learning lines before bed is great, though.
Austin: Yeah, that’s the best time.
Jodie: Spoken like true lazy actors, everybody! I like to read my lines the night before! No, but there’s definitely something where it soaks into your memory, I feel.
It’s like playing in your dreams and then it goes into the subconscious.
Jodie: Then you have the anxiety dreams about forgetting your lines! It’s never-ending.

You’ve both had the benefit of playing characters in the ‘60s or even older periodic times. What is your favourite time or decade to play in terms of the style of clothing, even the way that people speak? What is your preferred time?
Jodie: I mean, I have to say ‘60s was pretty cool. Especially these types of people, you know, who were kind of living in Chicago within the subculture, who just felt very kind of rebellious and free. Again, to speak to Danny Lyon and his photographs is like… They were so authentic and there was so much to pull from. You think of the ‘60s, and you think of the music, you think of the clothing. Everything was so brilliant and transformative, I feel. I feel like when you’re doing that kind of period, you’re like, okay, it helps you kind of step into the world. Swinging ‘60s.
Austin: In the swinging ‘60s, that’s what they call them. No, I think the same way. All these motorcycles of the ‘60s… It was such an amazing period – there was World War II and then you come out of that and then you’ve got the ‘50s, which are this sort of the idea of this idyllic time where you have white picket fences. But I think below that idea of this perfect world was a lot of awful trauma and wild things. So you have the ‘60s that suddenly are trying to break that. The pendulum starts swinging in this opposite direction. And then it has its own chaos at that time. But as far as the clothing and the music and the bikes and the cars and stuff, I think that’s a very complex time. And it’s cool.